" at the heart of all beauty lies something inhuman. "

Indie, selective, mutually exclusive HEL OF HELHEIM of norse mythology, with heavy vertigo comics influence. fandom/setting aus available. multi and sideblog friendly. established 2017, revived 2021. 21+. PENNED BY KADIAN,

" beauty is terror. what we call beautiful, we quiver before. "

DISCLAIMERS.
None of the icons or gifs used in replies are mine. A complete list of resources is in the works.
The psd used on my icons is from iodicodino on deviantart.My pixel dash icon was made by my friend Pupper at Mongxrie. Please considering commissioning him for any of your pixel or artistic needs.I have no ties to Vertigo Comics, Detective Comics, Marvel Comics, or any other corporate entities whose IPs are referenced on this page.In addition to the above, please note this is NOT an account for Hela as presented in any Marvel canon.While my muse has 616 and MCU verses, she is not the character seen in the comics nor is she the one portrayed by Cate Blanchett.I am also unaffiliated with Astrid Berges-Frisbey, Raffey Cassidy, or any other potential faceclaims. I just use their faces to portray the ice queen of Helheimr.Mun =/= muse. Hel’s views are not necessarily my own.While I am interested in studying the various religions of the world, I myself am not a follower of any Norse-based faith. There is much that I have yet to learn, in spite of my study to find out more about Hel and the faith and mythos to which she belongs. If you ever see me make some mistake about Hel, the pantheon she comes from, or the culture to which she belongs, do not hesitate to message me about it! I am here to be as respectful as I can.

DNI.
If you actively roleplay or ship incest, leave. This is a trigger for me, and a rule people have a bad habit of ignoring. I don't care what argument you want to make about 'not being blood related' or 'historical accuracy,' do not follow me. If your character simply has abuse as part of their backstory/canon narrative and it is both treated respectfully and tagged, I am not talking about you. I simply do not want to see non-canon or fetishized instances of incest.
I will not engage with those whose active roleplays involve rape (including dubious consent), abuse, real world prejudices, pedophilia, or, as stated, incest. Once again, respectful and tagged instances of these subjects as part of a muse's backstory or canon narrative as a survivor are not a problem, but active engagement and acceptance of them are.I will not write fetish content as a general rule. I will not be used for fetish content. Kink blogs are blocked on sight. Smut will not be present on blog-proper, except for the rare drabble when the inspiration strikes me. I will delete any asks that fetishize my characters unironically (ie are not a shitpost/were not asked for via 'cursed' memes.)I will write with villainous/flawed/'dark' characters, HOWEVER. If your character is an abuser or the like and you, personally, want to blame other people, especially their victims, for thOSE ACTIONS, leave. I've seen enough of this in certain fandoms and I'm done with people blaming other characters for their muse's bad behavior.If you are the kind of person who sends anon hate over other people's limits or the steps they take to make their space safe, then you are not welcome here. It's so much easier to block people you disagree with and move on than harass someone else for what they can't handle. I do not want to interact with anyone who is immature enough to pull this shit.I will not engage with whitewashed characters, whether by canon casting or fancasting of a muse. This includes a number of MCU/616 characters such as the movie-based Maximoffs, numerous depictions of Dr. Doom, and others. Simply put, if your character is a person of color within the original text and you depict them as white whether by personal choice or following casting in resultant projects, I will not be following back.Ignoring any of these rules will result in a block.

GENERAL + FOLLOWING.
This is a mature blog with mature themes. All followers must be 18+.
The usual rules are in play: No god-modding, no reality warping, please ask before seriously injuring my character, etc.Triggers will be tagged as 'trigger //', ex. death //, body horror //, mental health //, etc. You can always message me if you would like something to be added to my taglist.All that I really need tagged are any images of roaches, discussion or depictions of incest, and I would really prefer if you had a general nsfw tag I can blacklist!I tend to take my time following back anyone who does not have any recent writing on display, be it in threads or asks. This is both to ensure I would not have my dash flooded with ooc, as well as to see if our writing styles are compatible. If I don’t follow you back at first, don’t worry – I am checking your page to see if I’m interested!Given my anxiety, I tend to take my time working up to messaging people. I am not the best at reaching out to people within arbitrary time tables to say that I want to interact -- If I follow you, that is a sign I want to write with you. If you want communication established in a timely manner OOC, my DMs and askbox are open, and I find it a lot easier to interact with those who approach me first.I’m not super comfortable with duplicates. You are always free to message me OOC or just generally talk fandom, but I’d prefer to keep things separate IC. That means no twin interactions, no muse meets muse memes, etc.Other reasons I might not follow back: Lack of a consistent tagging system, especially if there are a lot of ooc posts ; Being dismissive or hostile towards female muses ; Any kind of hatred (homophobia, transphobia, racism, and other forms of bigotry) espoused on your page ; Having wildly different and specific rules between types of characters (OC vs canon, men vs women, cis muses vs trans muses, etc.) or alienating potential followers by a refusal to tag content or communicate with others.Hel is generally multifandom/panfandom, so don’t ever think your fandom of origin would be a hindrance. Even if I can’t work goddess Hel into the setting, I’m always happy to make a new verse to interact with partners!

INTERACTIONS.
I welcome OCs and canon characters alike. If I am following you, it is a given that I like your writing and would love to see our character’s interact!
Starter calls and plotting are for mutuals ; Asks are more of a free for all, for mutuals and nonmutuals alike.I do not usually post starters for new followers, so if you would like to open communication, you can either reply to a starter meme, fill out my relationship form to give me a nudge, message me to plot, or just jump in whenever!My preferred genres are mission/plot-driven threads, bonding/relationship building threads (primarily platonic), and a good angst/drama thread. I’m willing to do about any sort of thread short of smut, though.More than anything, I love interactions that develop, where muses get to know each other for better or worse and have threads with continuity. Anything that allows a partner and myself to expand upon our characters, their relationship, and anything else involved make me feel giddy inside.Multiple threads are welcome! Continuing answered asks as a thread is okay!I do not mind dropped threads! I understand people can lose sparks, or have no idea how to continue with a thread.

RELATIONSHIPS.
Please do not take it personally if my muse comes off as cold or standoffish to yours. Hel can be hard to connect with at times, and this in no way is a reflection of the quality of your character or how I feel towards them or you as a mun!
Speaking of relationships towards others, I do ship chemistry. I much prefer if the muns talk things out before any shipping occurs, just to make sure we are both on the same page about our muses. I do not mind if characters develop feelings for any of mine, however, so long as my muse is not expected to reciprocate OOC.This blog is multi-ship and multi-verse. No one is cheating on anyone. All ships either take place in their own bubble verse away from other ships, or are part of an agreed polyamorous arrangement between muns.I am always up for chatting about Hel’s relationship with your character, especially when it comes to family members. Each portrayal is unique, and I want to make each interaction just as distinct. Having the same thread or headcanons over and over where the only difference is which version of a muse I am writing with sounds incredibly boring. Don’t ever be afraid to come to me with ideas to personalize our muse’s relationship!I am not the world’s biggest fan of pre-established relationships outside of family ties, platonic or otherwise, unless the other mun and I have plotted things out ahead of time. I have a relationship call linked in my pinned post.

STYLE.
I am an adaptive roleplayer, so it is likely I will reply to you in the manner in which you reply to me. If you use icons, then so will I. If you do a one-liner, then I will do the same.
My preferred style is para - novella formatted with small text. Icons are always optional.You do not have to match length. I get carried away with my starters and replies. I acknowledge this. I do not expect you to match length if you do not want to.Please note, however, that I may take longer to reply to longer threads. I myself like to try and match length, and I do not want anyone to think they are being ignored if their post is longer! My general rule with multi-para threads is to add one paragraph every time I go to answer shorter drafts, if that gives you an idea of turnaround times.However, while I understand not matching length… If I give you a para or multi-para starter and you reply to it in three lines or less, I will drop a thread. If this becomes continuous cycle of uneven replying, I will unfollow given our styles are not working out. I know that sometimes my partners will not have the muse for a long reply, but to receive such a short reply in answer to effort can be quite disheartening.

CLOSING STATEMENTS.
While I can't force you to abide by the rules outlined here, I can at least advise you that if any of this rubs you wrong, you are under no obligation to follow me. RP is here as a fun hobby, and if anything here would hinder your attempt to treat it as such, then chase your bliss.
On the flip side, however, if you do follow me, whether first or back, then I expect you to be okay with what is outlined here and not press it. I've had problems on other blogs with people pushing at my well-established boundaries, and I am completely over it. I am open to clarify any of these rules, as well as communication to a point, but I will not be changing anything regarding personal triggers or hard limits.I will unfollow people who do not honor these rules after entering a mutual following arrangment with me. I thank you in advance for understanding.LAST UPDATED: 8/4/2022

ABOUT THE MUN
I'm Kadian, also known as Kadi. I am a white, 28 year old nonbinary lesbian. I was born on June 29th, and live in the CST timezone. I work part-time on an ever revolving schedule, so my activity might not be the most consistent from day to day. Come talk to me about shared fandoms or your OCs, send me cursed memes, and I am sure we'll end up fast friends.
It is always my intent to write every muse with respect and diligent research, but I know I will never know more than the communities my characters belong to. While I will do my best to write each as well-rounded characters who avoid major stereotypes or bad representation, I understand that I might fall short of this aim due to ignorance on my part, even through biases I might not realize due to any privilege I possess.If I ever make an error in representation or judgment, I invite others to call me on this behavior so I can unlearn whatever I exposed others to, and make all due amends. My inbox and DMs will always be open for this reason, even if anon might be turned off from time to time for personal comfort.

" Two goals always, to find the humanity in a monster and explore the monstrous in humanity. "

As the youngest child and only daughter of the god Loki and his bride Angrboða's, Hel was born into a bed of wild roses. Whether it was due to the deformity that ate away half of the child's body, or being the sole heiress to a long matriarchy, she was truly treasured from the start. She was barred from little, and so ran wild as she pleased. Recurring illnesses and ongoing struggles with mobility did little to dampen her spirit, her days spent wandering the Ironwood and making merry with her brothers.It was because of them that Hel was far from the strangest creature in her family.Her older brothers were stranger still, by divine reckoning. Fenrir, the eldest, was a wolf cub, proud and boisterous as a warrior. Jormungandr, the middle child, was a great emerald snake, ever-growing, forever seeking purpose. Simply bearing a humanoid shape would prove enough to make Hel palatable compared to her monstrous siblings, the division of her form notwithstanding. The trio became well-known among their mothers people, and dwelt in adventurous, fairy tale days from the start.Delightful as this existence was, it did have its failings. Angrboða, in her fervor for glory, was often away from her children, chasing her ambitions over the horizon. It was inevitable that Loki step forward and consult the mother of his children on the matter, eventually leaving with Hel and her brothers under his care alone. Overnight, the children went from the enchanted woods that had sheltered them from the world at large to a society that was all too interested in Loki's affairs.Asgard was as far from her beloved forest home as Hel could get. Thrust into a splendid court, the children found themselves in a situation that demanded adaption. Each had their stumbling blocks. Hel, for her part, began to retreat further into herself. There was no place for a near-corpse in such a beautiful place. How could anyone ever understand her?Of course, she was never as alone as she thought. Her closest ally was her father, who looked at the quiet, unsure girl and saw far better in her. For attempt the girl made to carve out a place for herself, for every afternoon sat quietly observing the court of Asgard, Loki began to see more and more of himself in his only daughter.It was only a matter of time until he chose to take Hel further under his wing in earnest, educating her in courtly manners as well as deceit. Piece by piece, the blade of Hel's mind became more comfortable against its whetstone, even if she misliked the little deceits her father carried out as a chaotic faction in his blood-brother's court.Loki created his own monster. In time, even her brothers began to notice how 'the baby' was father's favorite, no matter his affection for his sons. A more modern observer might have called the child Hel a Daddy's Girl, and they would not be wrong.Just as Fenrir was a reflection of his fierce mother, Hel became a tender shadow of her father. She spent many an afternoon begging stories from her elders, daydreaming of being a part of this beautiful world her uncle had built forevermore. Delicate, thoughtful, and a peacemaker, she would never be a great warrior like her cousins and their children -- but then, she would sooner tend to Asgards wellbeing than fight for it.It is a condition of childhood that, for better or worse, it must come to an end. All children eventually grow up, no matter their form. This was perhaps most evident in the sons of Loki and Angrboða, whose inhuman bodies matured too quickly for the comfort of the Aesir.Even in the face of such mistrust over their growth, all three siblings saw nothing strange in their development, nor could they see the suspicion in the eyes of the Aesir. Other than a few jokes at the expense of the slower maturing Hel, all was just as it had been for them. Much as Fenrir might balk at the term, and in spite of their growing infamy, the trio were still just children.Within a few short years of their arrival, both Fenrir and Jormungandr had developed to monstrous size -- With no indication that they were to stop. The pairs Jotunn blood was becoming more and more obvious with each passing day, something that had begun to worry the more 'natural' residents of Asgard.It was no secret that the Jotunn were an eternal enemy, one that ensured war was a when rather than an if. There were always those who assumed that rearing such monsters within Asgard was a failure to keep the wolves at the door -- Indeed, they were living like princes in Odin's own hall. No matter who their father might be, there was no excuse to continue entertaining such outsiders when they might one day choose blood over hearth.Plans were discussed behind the back of Odin's brother. Decisions were made in the wake of prophecies. In some fashion or another, the threat that Loki's children presented would be dealt with.Fenrir, Jormungandr, and Hel had no reason to question their audience before Odin and the rest of the court. The trio even joked among themselves about it, reasoning that Fenrir must truly be in trouble from his last run through the halls, that Jormungandr must have startled an envoy from the Dwarfs so severely that he was to be punished, that Odin was going to make a royal decree for the solemn Hel to lighten up for once.None of them had truly done any wrong that they could recall. Walking towards her fate, seeing the crowd that awaited she and her brothers, Hel even reasoned that it was simply some affair that required the whole of Odin's household to be present. It was the only sensible answer she could find.In fact, it was all perfectly sensible, before Odin began to speak. Calling the children forward, Hel found herself discomforted by the atmosphere, by every eye clapping onto her. Even in that moment, the final calm before the storm, the siblings assumed that, however severe this meeting was, they would make it through whatever punishment awaited them.The reason for their appearance was made known soon after the three young Giants approached Odin's throne. The Allfather spoke of the growth of both wolf and serpent, of their bestial forms, and what a threat they might pose. Were it not for the severity of the accusations, any one of them might laugh.Asgard was their home. They would never see it come to harm. For all the hardships they had faced within the court, they were not the animals waiting to strike that they were made out to be. Hel, especially had her hopes of one day making a real home out of Asgard, that if she could prove to the Aesir that she was good, that she was smart, that she came in peace seeking nothing but love, that people might regard them with a little more kindness.She was only able to wonder about how the Aesir could come to such malicious conclusions for a moment, was snatched into Odin's grasp. Not a word was said as the great serpent was cast out of Asgard, banished to the great sea of Midgard. This was called just. This was called right. Hel can no longer remember who had decreed it as such, not for the sound of someone crying out. She has never been able to recall if it was Jormungandr or herself screaming as the judgment was passed down.She can remember the heaviness in the air. She can remember the feel of Fenrir's fur standing on end as he drew closer to her, meaning to protect his sister from a similar fate. Hel might have held tight to him, or ran for safety, were it not for the fear that kept her feet rooted to the spot. Fenrir spat, snarled, lashed out at every hand that reached towards them, refusing to allow anyone to hurt his pack any further. By the time the eldest son realized that it was not Hel they meant to snatch up, it was too late. Fenrir was bound in cold iron and dragged, howling and fighting, out of the throne room.The fate of Loki's gruesome sons were sealed. All that remained was his trembling, wide-eyed daughter, grotesque in her own ways, but hardly a threat.Yet.Hel was only a girl, unflowered, soft-cheeked, still sheltered enough to hope for better. Some might have compared the tender child to a babe, more easily moved to tears than fits of anger. Odin, however, knew better than to expect the best from any child of the liesmith. A child she might be, but one day Hel might learn to use those claws. Blood would always seek out blood, and what of a girl whose kin were thrown from their home in disgrace? No, that girl might one day be a threat, just the same as her brothers. It was for the best that she be sent far from court as well.Odin, for all his pragmatism, for all his judgment, was hardly a monster. She was too much her father's daughter for him to make a third play at cruelty. No, Hel was granted smaller mercies than her brothers would ever be allowed. Polite, patient Hel was scooped into the Allfather's great arms, and spirited away from Asgard in the blink of an eye, allowed nothing from her old life as she raced towards what others had decided was her future.When Odin and Hel reached their destination, far beneath the roots of Yggdrasil, she thought she knew her fate. Though she was rather old to be left exposed in the desolate landscape, she knew it was a practice of humans to leave their unwanted babies to die in the cold. She knew then, with a growing sense of panic, that she was to be left in the snow until she either starved or froze to death.In spite of her grim thoughts, Odin carried the delicate girl through the snow, not a word spoken between them for all the miles he walked. Though their surroundings remained bare, nothing but white purgatory on all sides, Odin moved with purpose, until at last both he and Hel could see a dark hall rising out of the snow. It was here that Odin came to stop, before high, finely carved doors, and set Hel back onto her own feet. Then, without flourish, the one-eyed god thrust open the door, allowing Hel to enter the silent building.There were many long tables, and high wooden beams, a raised dais upon which a black throne sat, even a great pit for fires. Spartan as the hall's decor might be, it would make a fine enough home. Quietly, Odin led Hel through the grave property, all the way to the inner chambers, with a bedroom and amenities fit for a queen. It was then that he told her what her fate was.You will be queen, he said, and rule over the damnable dead here, in Eljudnir. It would be enough of a distraction and honor to hopefully stymie any plans for revenge the girl might pursue in womanhood. In some ways, Hel would always wonder if it was some apology on the part of Odin, who had already taken so much from her in so short a time.No matter his intentions, Hel managed to smile at Odin, bitterness thick as blood building in her heart. Even for all the rancor budding in her heart, she found her fear cut it down far too easily. All that Hel knew was that if she acted out, she might end up like her brothers. If she was to live, she must play gracious to these gods, must prove herself worthy of the gift of life.Odin tarried for a short time, long enough to hear the child name what few belongings she had. Her knife was Famine, her bowl Hunger, her threshold a Stumbling Block, and a bed called Sickbed, in the manner a melancholic child might seek to connect with their possessions. Odin accepted each name, and left almost immediately after.There, in the loneliness of her new home, the Child-Queen forced herself to keep her head high.She was not alone for long. The dead filed in after that first lonely night, and that left her isolated in a different way. It was unnatural, to be one living thing among the dead.For a small eternity, Hel's life fell into a cycle. She would rise, rule, and then retreat back to her chambers by her measure of night. Her servant Ganglot would attend to the child queen's wardrobe and hair before she left to attend her duties, while her manservant Gangloti served his queen sweetened mead and food as she sat on her throne. Hel never quite worked up the courage to ask where such delights came from, too fearful that any questions might slight the Aesir who permitted all of this to be hers.Manic, struggling to keep from the path that had been the downfall of her brothers, Hel found few comforts in her life beyond her music and the stories of the men and women that came to dwell within her realm's borders. For years, all that Hel knew of the outside world came from the mouths of her Guests, the passage of time marked in the lines of Midgard kings and their battles.It was not enough -- would never be enough -- but it was a kinder hand than what her brothers had, and for that, Hel learned to keep her mouth shut tight and her nails digging into the soft flesh of her palms.Hel could not tell you, even if she dwelt on it, how old she had been when calamity struck. Her life was still routine enough that time seemed to change nothing, even as she began to grow into womanhood. If asked, she might call herself guilty of becoming as indolent as her servants. The only thing that shook up this system was an arrival Hel could never have foreseen.

She had so loved the light of Asgard. The realm had seemed woven from gold itself, with an endless sky overhead and blazing fires at every hearth. The sun had seemed near enough to touch, in her time above ground.It was a father's love, that brought the brightest of the Aesir to her dark realm.Hel became certain of a few truths in rapid succession.Her father had killed Baldr, taking the life of Odin's most beloved son as wergild for the three children stolen from Loki.
Her father had sent the beautiful youth as a gift to his loved and lost daughter.
Her uncle had lied for all these years, that her father had forsaken Angrboda's children to their fates.
The hate she had felt so keenly that first day in the Helheim flared back to life as she beheld the newly arrived Baldr and Nanna.With little else to do in the moment, the lady greeted her latest Guests, let them know the laws of her realm, and turned the pair loose to do whatever it was gods did in death. What more could she ask of them? While the tables might have turned, an Aesir now at her mercy and subject to her own form of justice, Hel did not see the point in retaliating against Baldr. The fault id not rest on his shoulders.She did wonder how far Frigg's rider wandered, seeking her son's keeper. Here, at the beginning of her first great sorrow, the mother goddess would give anything for her son's return. It would give a far better outlet for retaliation, should Hel seek it. A deep, dark part of herself wondered mutely where Frigg's pity was when Loki's children were taken from him.She could refuse Frigg out of hand, never once considering her words. She could play with the grieving mother's desperation, secure some boon from Odin's own wife. There was much that Hel could have done, staring at this weary agent of the mother goddess.What she eventually chose shamed and damned her in the same breath.Hel's cruelty was a soft thing, wrapped up in reason. She could not simply release the dead without cause -- what made the son of a king's life any more worthy than the rest of her subjects? No, she had to retain some level of order, some honor in how all her Guests were equals to one another. Death had such a fascinating way of stripping people to more than their titles and expectations. However, Hel was willing to bargain with Baldr's mother.If every thing living and dead would mourn poor Baldr, he would be released from Helheim, free to return to the living and the family that so loved him.From the moment the words left her mouth, Hel knew such a task was fool's errand. Still, Frigg agreed, though Hel could not say she was shocked. On some level, she knew, or perhaps she dreamed, that Loki would likewise undertake such an arduous task if she was in Baldr's situation.Inevitably, Frigg failed in her quest. Though she came closer than Hel could have imagined when she made her deal, Frigg was thwarted in the final hour by the giantess Þökk, who refused to grieve for Baldr. Hel was left in the aftermath, the golden god still a member of her court, and without a word from the Aesir. For some time, the adolescent goddess counted the experience a victory.The Aesir respected her agreement with Hel. Even without an oath sworn on Odin's spear, they keep their distance.It was the first time Hel realized she truly did have power. Odin was not so fickle as to revoke the power he granted her. The Aesir would not defy her so long as she operated within what was taken for reason. Even before reaching womanhood, Hel's power was absolute.She never need fear any of the Aesir again.She was free.Even left to her realm beneath Yggdrasil, even in her wasteland, even confined to that dark hall, Hel had found a form of freedom.The consequences of her attempt at revenge would not hit her, after all. Power was always strewn with consequences, a lesson she would learn all too quickly. When Sigyn's sons were given to her realm, Hel's own half-brothers left to her keeping, she at last realized what her actions had truly meant.For the rest of eternity, she would lie in bed at night, wondering if her father, her stepmother, and their children might have been spared if she had shown Baldr the mercy she had so coveted and yet refused to offer.

Her realm was rotting her, inside rather than out. This place, the root of her misery, would drag her down among the dead if she kept up her solitary life ruling them. It had taken away her ability to see beyond herself, no matter how she worked at being a good queen to those who dwelt within her border.Clad in a hood, wandering out to the other side of the River Gjoll, Hel took her chances. She moved like a ghost across Midgard. In the south, she made the acquaintance of Hellenic gods, trying to glean what she could from gods whose roles were not merely collateral. Older gods, too, came into her fold, those of Babylon and Egypt, Nubian and Celtic. Her travels brought her not only the divine, but also spiris of the earth and beyond, the Fae and the monstrous.Once among the living again, Hel realized how she had missed being a part of something greater than her own will and melancholy. There was a curiosity to this realization, however. Over time, she found herself growing fond of the mortals who struggled upon Midgard. Her faithful moved North and took her tale with them, and yet she continued to walk their earth, observing those that did not even know of her existence.In her time, she sailed to England with the sons of Ragnar, stood against the Cross and its faithful as they meant to stomp out faith in her people. She became the counsel of kings and a storyteller in longhouses, though she loved to be a traveler incognito above all. Doling out blessings and curses as she marched across history, Hel found a simple truth that made her eternity tolerable.She would always know the end of her tale, the vicious clash of Ragnarok and her status as sole survivor of her family. All her life was to reach that hateful prophesy, one her uncle seemed ot have designed by his own hand and mistrust. Yet, the thought did not shake her as it once had.Ragnarok was her destination. No Norn or disloyal kin could tell her which path to take to it. It was up to her to blaze the trail, and it was her choice to walk it so that she could look back from the end of all things with pride for who she had been -- Honorable, kind, and above all else, one who lived in hope rather than despair.

NAMEhel lokadotter
AGE~3700
GENDERdemiwoman
RACEjotnar
ALIGNMENTneutral good
REALMhelheim
JOBqueen
HAIRblack
EYEgreen
HEIGHT5'9"
BUILDfragile
COMPLEXIONstark white
MARKShalf-dead
WARDROBEfemme goth

" …Her wings are cut and then she is blamed for not knowing how to fly. "

MAINVERSE

LOKI LAUFEYARSON

Theirs has been an ever-evolving relationship, from childhood adoration to emotional disconnect due to lies. In adulthood, Hel has taken baby steps to make amends to a father that never stopped fighting for her. More importantly, he has never stopped loving her, even when she cannot stand herself.
portrayed by loptgangandi.


MAINVERSE

ANTON ARCANE

The world is built upon balances. To use a cliche, there are two sides to every coin. Hel, an agent of the natural Rot that cleanses and paves the way for growth, is ever at odds with Arcane, a former mortal who corrupted the same power to his own ends. The two are tied in an eternal cold war.
npc on alternious.


MAINVERSE

AREBAN

The constant friend to Hel's black humb, a Minotaur who knows how to heal a dying plant and a weary soul in equal measure. A part of Hel wants to emulate the peace and control that Areban has cultivated for himself. A part of her wants to share in the life he has carved out of his past suffering, hand in hand.
portrayed by monagxrie.


MAINVERSE

ARMAND DI VENEZIA

She could not love a thing that did not change. Armand has been many things in the 500 years of his life, but each asked for more than she could give. Hel would always hold out her hand to save him, but never define him. It is only in the last decade that he appears to have grasped how to win Hel's heart.
portrayed by thyhorroremains.


MAINVERSE

DEATH OF THE ENDLESS

No words will ever do justice to Death's beauty. Of course, physical beauty means little to Hel, and she would speak only of the Endless' beautiful heart. A loyal friend and capable mentor from Hel's first days as her servant, Death has proven a beacon of light in the goddess' otherwise dreary life.
portrayed by thereforall.


MAINVERSE

DEIRDRE NIC'DUBHSHLAINE

There is an inexorable pull between the two of them, the dance of things that neither live nor die. Tenderness and passion alike blosom between the two of them, an end to the loneliness Hel has long known. The pair would be the stuff of a dark fairytales happily ever after. Alas. They are both bottoms.
portrayed by monagxrie.


MAINVERSE

EDMOND DANTES

She understood him from the start. Wounds recognize wounds, blood haloing against one another. Revenge is a limb that the both of them exercise til it is strong enough to tear down those who laid them low. Even after the avengers have righted the wrongs done against them, their bond has remained.
portrayed by bringhelltoyourdoorstep.


MAINVERSE

HOB GADLING

It can't all be divinity and death. Never is this more apparent than in her affinity for the immortal named Hob Gadling. Though some might consider them an odd pair of friends, they share a desire to see what tomorrow brings at any cost. This, in addition to a love of adventure, has been the glue of their friendship.
portrayed by redd, blog tba.


MAINVERSE

JOHANNA CONSTANTINE

Love lives within Hel, and she calls the feeling Johanna. Her 18th and 19th century agent on Midgard, the two women found themselves falling over the years til they swore themselves to one another. Their love lasted all of Johanna's life, and lingers in Hel even after the mortals death.
portrayed by redd, blog tba.


MAINVERSE

JOHN CONSTANTINE

The latest Constantine should have known he was different from certan past generations. That difference lies in his veins, in blood that is forever tied to the divine. For her part, Hel regards John as the favorite of her descendants by Johanna, and is always available to aid him when called.
portrayed by gamblershand.


616

VICTOR VON DOOM

A teacher, an ally, a husband. Victor is a many splendored thing to Hel, a man who waited years for an opportunity to win her heart. Now, some decades after that pursuit, the pair are happily married and rulin over his kingdom, raising their son in a domestic bliss that belies the drama of their mystic adventures.
portrayed by trushalodji.


BERSERK

CASCA

The tales seized her imagination and did not let go. There was a lady warrior fighting for Tudors enemies, and Hel would have given anything to meet her. If only the pair had met in different circumstances, with less tragedy between them. Still, being able to hold and soothe the Crimson Lady is some comfort.
penned by maledictgaol. canon divergent au based.


BERSERK

NOSFERATU ZODD

There is a single rule among Apostles. Do as thou wilt. While many fall to extremes after their becoming, there are at least two that remember discipline. How lucky, then, that Hel and Zodd found one another. Humans call them the God of War and the Goddess of Death. The two prefer to call each other mate.
penned by maledictgaol. main ship partner for setting.


COSMERE

DALINAR KHOLIN

Children will always find something to believe in. In the case of an outsider balking at girlhood, that ideal was a brave and wise hero. She admits the man might have stumbled from that pedestal a times, but he returned to glory and the hero she believed in. Why wouldn't he? Wasn't it the truth?
portrayed by thyhorrorremains.


COSMERE

KALADIN STORMBLESSED

If it helps, they're confused as anyone else how this friendship came to be. A man chained as a slave, and the noblewoman who campaigned for he and his men, it seemed inevitable the two would part ways as his lot improved. Instead, the two are drawn together by their hope for the future and ongoing tragedies.
portrayed by thyhorrorremains.


COSMERE

NAVANI KHOLIN

All that she is, she owes to this woman. A wayward child in a foreign land, Navani was the first to reach out to her, to the point of bringing the child into her own home. For all Hel might be to the royal court or the world, she knows she is her mother's loyal daughter, and proudly so.
portrayed by thyhorrorremains.


DARK SOULS

ARTORIAS THE ABYSSWALKER

He arrived to bring back the light. His service in cleansing the Catacombs would never be forgotten by Nito and his children, particularly the Grave Lord's eldest. Respect gave way to love, and once the affair ended, friendship endured. If only it had been enough to keep him from the Dark that consumed him.
portrayed by wolfdivined.


DARK SOULS

DARK SUN GWYNDOLIN

Their love outlasted empires, burned brighter than flames, became the foundation for a new kingdom of the gods. Two ancient beings with no place among the old world, building their own renaissance. What a glory they might have created, if only Gwyndolin's ambitions had not pushed her bride away.
portrayed by luxsclaris. main ship partner for setting.


DEAD BY DAYLIGHT

CALEB QUINN

Different times, different languages, different styles. Everything about the two killers stands at odds. Yet Caleb appears a miracle man to Leah's older sensibilities. The younger scavenger is an inconstant presence at the saloon, offering the old bounty hunter both scraps of metal and company.
portrayed by gamblershand.


DEAD BY DAYLIGHT

MEG THOMPSON

A raven circles its prey. Her wings are tired. The wind buffets her along towards her target. She doesn't want to hurt the creature below. Her talons extended, black and cruel in the night. The rabbit breaks away at the last moment. The raven smiles back. The kill is never as thrilling as the chase.
portrayed by teardownheaven.


GRISHAVERSE

KAZ BREKKER

You are responsible for the life you save. That was an old belief in Fjerda, though she doesn't believe in her homeland anymore. Still, her hands had pulled the boy from the canal, her voice calling for aid. Some boys might worship her as a guardian angel. This one bites and hates her instead.
portrayed by thyhorroremains.


KINGDOM HEARTS

ANSEM SEEKER OF DARKNESS

It's the love story every young girl dreams of. A handsome stranger invades your realm, usurps your throne, and decides to corrupt you. An attempt to kill him with kindness instead forced the pair to bond, and Hel became a north star to the Heartless King -- A light strong enough to guide him back from death itself.
portrayed by andallsoend. main ship partner for setting.


KINGDOM HEARTS

LUXU

You never forget your first. First friend, first adventure, first love. You never forget your last, either -- In this case, the last thing Hel ever saw before her realm was sealed away. It's been two thousand years of Luxu fighting his way back to her, and two thousand years for Hel to convince herself he changed.
portrayed by nxctividus.


MAGNUS ARCHIVES

GERRY KEAY

She will always see her youth in him. That strange boy who was always so familiar, the sensitive artist, the angry rebel. Leah always planned that when she saved herself, she would save him too. Now one of the things he fought against, the monster finds her only fear is what he would make of her now.
portrayed by bookburnt.


MAGNUS ARCHIVES

JONATHAN SIMS

She knows just enough to help him. Staring deep into her own fractured mirror, she's sure he is everything her grandfather intended for her. By connecting the dots between her human suffering and his monstrous becoming, she supposes that they can win this. She hasn't realized yet that it can't save him.
portrayed by thyhorrorremains.


MAGNUS ARCHIVES

MICHAEL DISTORTION

Hatred. It's knit them together, sinew to sinew, bond to bond, haloing into one another, spiraling from him to her. It isn't, at least, towards one another. Their hatred is a single entity, a common enemy that binds Madness to Death in pursuit of forcing the Eye to blink first.
portrayed by thyhorrorremains.


MAIN VERSE

MYTH-BASED, WITH VERTIGO INFLUENCES. OPEN TO INTERACTIONS.

Whether historical or modern, the grim queen of Helheim rules quietly from her frozen realm. Neutral but genteel when it comes to the affairs of other realms, the caged bird sovereign keeps her eyes and ears turned towards foreign affairs as best she can. There is little that goes on that is not relayed to Hel from the mouths of the freshly dead, though the queen herself is a capable agent in her own right. The most that can be said about Hel's politics is that, when called upon, she proves quite reasonable and clever in her problem solving. It is this fact that lends itself to the Aesir seeing her as a discomforting ally in some fashion more than a foe to be destroyed like her brothers.She will not say, of course, that Odin has every right to be discomforted. While Hel would never charge out, righteous, her famine-knife in hand as she tore down Asgard, she would never forget what was done to her as a child. The fear and prejudice her brothers and she faced as a giant's daughter burns like a brand within her even now, and were it not for her devotion to her realm and keeping safe its residents, she might already have put plans into motion to avenge herself, if not her brothers. Ultimately, she understands such actions were folly, and that there was little use in acting out openly.For this reason, Hel waits very patiently. She is always polite, courteous, understanding in her dealings with others. She makes a fine ally, should someone choose Helheim as a worthy confederate, available for counsel, honor-bound to silence if others seek her advice. The monarch under Yggdrasil is credit to her race and realm, if you ask after her reputation.After so many years, Hel has learned to hone subtlety as her knife. She has her realm to oversee, her people to protect, and her servants to order. What more could she ask for, lacking the heart of a warrior and the ambition of a master manipulator? No, she will continue her quiet reign, always watching, always waiting, a captive crow too smart to dash itself against the bars of its cage.

616

CANON DIVERGENT, WITH HEAVY PERSONAL PLOTTING. OPEN TO INTERACTIONS.

NOTE: THIS HEL IS TOTALLY SEPARATE FROM THE HELA PRESENTED WITHIN THE COMICS THEMSELVES. AS THE 616 INTERPRETATION OF HEL IS WHOLLY INCOMPATABLE WITH MY MUSE, THIS VERSE DISREGARDS ANY PLOTS, CHARACTERIZATION, AND HISTORY HER CANON COUNTERPART MIGHT HAVE.Born the youngest child of Asgard's younger prince and a chieftain of the Jotnar, Hel was royal by right. Granddaughter of Odin and Frigga by adoption, child of a celebrated leader of the Frost Giants, nothing ought to have been out of reach to the daughter of such privilege. Her humanoid form compared to those of her brothers, the great wolf Fenrir and the gargantuan serpent Jormungandr, should have afforded her some level of compassion regardless of her marred appearance.Assuming, of course, there is a world where the sins of the father are actually forgiven, then Hel absolutely grew up pampered and loved. The girl presented here, however, was born into a world that did not forget.Barely a preteen when cast out, Odin saw fit to condemn his 'grandchild' to the darkest corner of Niflheim -- No, no. The Allfather, in his infinite wisdom, set the only daughter of his maligned son to honor, ruling over the dead from a grand hall, and it was a wise and fair decision. That is how the tale is told, isn't it? That Hel was honored with worship and her own realm, and all the company the world might provide her?It sounds pretty that way, and she hates it. She hates Asgard, she hates Odin, she hates everyone that allowed this thing to pass. She has had endless years to brood on this now, to consider how futile that same hatred is. There is so much Hel hates. There is so much that makes Ragnarok the light at the end of the tunnel.There is so much Hel loves. When the girl queen was joined by the first of the unworthy dead who would find residence in her realm, she was fascinated. As the years crawled on, as the dead started coming in greater numbers, she found herself admiring them. They all came to her realm with stories of their lives, of what could happen and what had already changed upon Midgard. Now grown to a woman, she has her own stories of the realm, having wandered far from her realm when permitted. Midgard has a sky, has variety, has life, and she craves it in the most innocent ways. There is little in this realm to earn her ire.When she is stirred by injustice, however, she proves a calculating enemy. Known under an alias for her aiding the Invaders of WW2, Hel has kept close watch over the heroes that have followed their example. Of late, she has heard of her father's many misadventures, the chaos he brings to the world. She has heard, also, of other evil men and women, of those who seek to break the world or prey upon the weak. It is a poor way to be. Hel is sure these people will come to her bleak realm in their own time.But as we have said, there are also heroes, new and ready to protect others. Hel decides she loves them, standing up for the innocent and the weak, those who cannot defend themselves against greater powers. These are the people she had need of in her girlhood, and she watches each she comes across with great interest -- especially those heroes who stand as comrades in arms with her uncle, Thor, and her former comrades from the war.Whether they defend the world or simply dedicate themselves to their own city, Hel is always willing to help those who seek her out. Midgard has nothing to fear from the observant queen of Helheim, whatever her father's reputation might be, whatever her ties to Atlantis and Latveria might imply. While there is not much she can offer, she will still give freely if asked.More recently, however, her attention has turned towards the Midgardian kingdom of Latveria, where her former mentor in certain magics became her husband after a long courtship. Now the queen of a mortal realm and mother to a half-human prince, Hel dedicates herself to peace between Midgard and realms beyond -- Even if that means fighting against the otherworldly forces that encroached upon the human world.

AMERICAN GODS

BOOK BASED. BY REQUEST, PLOTTING PREFERRED.

A people bring their gods with them, and this is well known. In the same hand, however, people bring their bogeymen wherever they roam. Hel finds herself a balancing act between the two -- half goddess, half enemy, here in this new world. No one can say with any certainty when she was first brought over, just that she has at least been kicking about since the Revolutionary War.You learn to be a lot of different people in all that time since, and Hel, true to her father's legacy, lives up to each role. She's been a witch on the east coast, a faith healer in a post-war Alabama town, this ugly woman working hard to damn others and get their souls consecrated to her. She's so much like her uncle and her papa, needing death to keep her in worship -- but the girl is blessed enough that she only need unworthy dead. Even so, most of her worship is won through the damnable dead more than any other people.She neever should have left the faith healing gig. Sure, it got boring after a while, and the goddess will always fear being tied down like her Old World counterpart, but coming home to roost with her family for the first time in decades was a real mistake. Just as she walks in, Thor finds his way out. One shot, bang, and she's doubled over, wondering what she really is when you get down to it. After that, it's a lot of travel split between her uncle and her father, a lot of running and conning and anything else that gets the blood flowing. It was a great set up -- an ugly woman gets far more in pity money than any beauty -- but all games have to end.The Eighties were a real turning point for her, the decade where she could stop working for souls to come to her. The country got meaner, the rate of living got higher, and everyone wanted to cut throats to get ahead and still face damnation for their actions. She's never really stopped riding that high, never had need to scrape the bottom of the barrel in all those years. She occupies herself now with a day job, with keeping track of the dead who occupy the liminal space she calls a spare bedroom, with making little sacrifices to her family. Family is so important to her, this little gremlin, this wild-eyed trickster's daughter.Family is the only stake she has in this war. There will never be a shortage of damned men to keep her in business, but it's a poor woman who turns her back on the men that made her. If Wednesday says her little beatings in parking lots and simple tricks are no longer sufficient to keep he and Loki going, who is she to argue? She is no warrior, but she can sweep the aftermath of a battle for whatever he needs. she can make better sacrifices to her 'team.' She can even stave off death, if only for a little while. Something about the whole thing is off to her, but then she knows that she will never know everything her uncle has planned. This in mind, she keeps a safe distance, supporting those who fight the war more than she actually fights in it. She sincerely hopes her uncle lives to regret this war.

BERSERK.

CANON DIVERGENT, WITH CANON COMPLIANCE AVAILABLE. DEMON/APOSTLE AU. OPEN TO INTERACTIONS, PLOTTING PREFERRED.

Information TBA.

BLOODBORNE.

CANON COMPLIANT. WHATEVER SHE IS IT'S NOT A GODDESS OF DEATH. BY REQUEST, PLOTTING PREFERRED.

Information TBA.

CHILD QUEEN.

CHILDHOOD SETTING. OPEN TO INTERACTIONS.

Set at any historical point prior to the death of Baldr, placing Hel anywhere from early childhood to adolescence. While this is primarily a verse for Hel during the early years of her reign, I am open to using this verse for pre-queen interactions with any interested parties from her family or Asgard. Basically, I don't see the point in making two verses for one childhood, so I'm willing to play fast and loose with this verse more than others.

COSMERE.

CANON DIVERGENT TO THE STORMLIGHT ARCHIVES. BUILT AROUND HEAVY PLOTTING WITH FRIENDS. PLOTTING PREFERRED.

Information TBA.

DARK SOULS.

LARGELY CANON COMPLIANT, WITH ONLY VARIATIONS BEING SHIP-BASED. OPEN TO INTERACTIONS.

The half-monstrous eldest daughter of the graves, a once abandoned child who was raised under the banner of Gravelord Nito. Ever loyal and helpful to her Lord-Parent, Hel is nonetheless a conundrum, her origins shrouded in mystery and her presence among the living standing in contrast to her siblings. The Fenito and Milfanito, who count her as sister, all serve the dead. Hel instead wanders, the Mourning Princess, Death-Who-Walks. She offers succor to those Gravelord Servants who require guidance, hunts down heretics and Necromancers who disrupt the balance of Life and Death, and often acts as envoy between her home and the holy city of Anor Londo.In the Age of Fire, the Princess was said to have forged a bond with Gwyn’s hidden youngest, both appearing monstrous to conventions. In the centuries since the Lord of Light’s sacrifice, Hel serves Gwyndolin dutifully, a companion, confidant, and, should the situation call for it, a partner in crime. She has been known to guide those Chosen Undead towards their fate, playing into the machinations her other half weaves beautifully. For a time, this worked beautifully, the two forever in tandem, ensuring the Light last a few years longer.It all changed during the events of one of Gwyndolin’s games. One Undead pursued the Gravelord himself, slaughtering Nito and stealing the Princess’ Seance Ring for their own. In the aftermath, cracks began to form in her relationship to the Dark Sun, but this was the least of all consequences. Hel herself took on her Lord’s powers, becoming Death Herself. Princess to Queen. Acolyte to Master. Figurehead to Lord. However she was defined, she could never return to the gentle life she had known as a beloved daughter and sister.Now, she was on the frontline of the conflict with the Dark. A conflict which, as the centuries rolled on, began to worry her less and less. All kingdoms and their people would pass into her family’s keeping in due time, and this shadowboxing against the inevitable continued to weary her. Even with the establishment of new kingdoms, the old games continued.Something gave with the creation of a perfect lamb. This boy, weak, broken, and deprived of all comfort for the necessity of his sacrifice, would not be laid upon an altar as long as she could fight against it.. In standing with Lothric, a living boy who did not deserve the fate of so many Undead before him, Hel parted ways with the royals of the former Anor Londo. The game had gone on long enough. This cruelty could not stand, whatever she felt for those who had once been the closest to her.At the end of all things, the Mourning Queen stands in the ruins of Lothric Kingdom, A sentinel against the death of Gods and their Kin. All she can do now is watch the Flame extinguish, and help usher in the Age of Man through her chosen alliance to the Twin Princes and other factions intent on spiting Anor Londo. Beyond this, she hunts down those loyal to the Church of the Deep, fighting to avenge someone she lost long ago. All things die, and pass into her keeping.That does not mean she will allow this to pass without consequence.

DEAD BY DAYLIGHT.

CANON COMPLIANT. HUMAN AU. HEL AS KILLER. OPEN TO INTERACTIONS.

Information TBA.

DELTARUNE.

CANON COMPLIANT. DARKNER AU. PRIMARILY USED WITH FRIENDS. OPEN TO INTERACTIONS.

Information TBA.

DRAGON AGE.

CANON COMPLIANT. COMPANION AU AVAILABLE. CIRCLE MAGE!ELF!HEL. OPEN TO INTERACTIONS.

Rewrite forthcoming.

FINAL FANTASY XV.

CANON COMPLIANT, WITH DIVERGENCES MADE FOR MUSE ACCOUNTABILITY. FALLEN MESSENGER HEL. BY REQUEST.

Information TBA.

GRISHAVERSE.

CANON COMPLIANT. GRISHA HEL. BY REQUEST.

Here is the ideal Fjerdan woman, pale as fresh snow, voice so quiet that it forgets its own power, her heart guarded behind the ice itself. Born into a powerful family, misshapen but honored with a seat at the table, Hel needed for little. Her cousins teased her dark hair and brilliant green eyes, claimed her a bauble bought on sale from passing Suli, but she had never paid their japes any mind. She was more than her looks, how little she favored her peers. Keen and kind, she might have made the ideal daughter of Djel, a credit to her sex and family.Here is the worst a Fjerdan woman can be, whiskey-drinking, horizon-chasing, answering to no man. She’s become the ruination of a once promising future. She has no husband but leaves inky locks loose to her waist. She has left everything behind in pursuit of this freedom, offering herself to odd jobs and machinations that earn her either respect or coin. The only true companion she has left is a wolf-hound, something to wrap its teeth around the throats of pursuers. All that might be said of her is that she is a bad example for Fjerdan girls, if she were to be spoken of.Somewhere between the two poles, there is an abomination in the eyes of Djel. A young child in an ambitious family, she grew into a power that she called ‘blessing.’ With a touch, with a look, she could heal whatever ailed another. The very act seemed a miracle from Djel, for the brief time she could call the ability a gift. But a Grisha born into a family that answered the Grimjer directly was unthinkable, a blight upon the name and ambitions of her uncle. For that reason, the patriarch called upon his witch-hunting peers to strike the child down, erasing the tainted blood that had been smuggled into his home.It ought to have been her ending. According to Fjerda, it certainly was. Yet with a broken leg, a broken heart, and dead pursuers in her wake, the young woman dragged herself onto a ship at port, and laid herself down to die. Yet death did not come, nor did the wrath of the crew that she had also anticipated. Kerch seemed a fitting Hell, once the ship docked again. Its tall buildings and sky-choking industry were nothing like her homeland, but she soon decided that was for the best.She’s always grateful, from hindsight, that this dark place was her first taste of the outside world. Anywhere else might have left her too soft, tenderized by hope, once she made her way back into the world. For a brief working stint and offering her powers to interested parties on the sly, Hel soon had both the manner and funds to brave the rest of the world.Her uncle would not win this. She would not huddle quietly in the dark and pray to a deaf Djel that he spare her. No, she was done claiming a nation and god that had sought to kill her for something she could not control. Over the years, she traveled the world many times over, making connections across nations, working for any master that might help rather than harm her. Saving lives has become as natural as ending them, leaving a reputation both whispered and lauded depending on where her name was spoken.Of late, there are rumors that Fjerda’s disowned daughter has made herself a songbird of sorts, trading secrets gleaned from her privileged upbringing to Ravkan army in the hopes they might conquer their old enemy.

KINGDOM HEARTS.

CANON DIVERGENT. OPEN TO INTERACTIONS.

An ancient and powerful entity from before the first War, formerly part of a trio representing Light, Darkness, and the shades of grey between. She has always been that middle point, a darkness that does not corrupt but merely exists, a creature born in light that goes unharmed by the darkness. For this affinity, she was cast out of a golden city of light, into the realms between. Here, she was discovered, and brought back towards the light and all its joys. In spite of her losses, her childhood could be called a happy one -- the worst was yet to come, after all.Her days in the Light were marked by an affinity for a young boy. Cloaked and blue-eyed, the creature called Luxu forged an inseperable bond with the child queen, and the two spent their youths wandering the town that Luxu called home. Together, they pursued knowledge and mischief eagerly, braving his Master's study for tomes thought forbidden, causing chaos for the other apprentices that the Master kept. The true mark of their friendship was, however, the way the two kept company even in silence, with nothing much to do. The two were rarely without one another. They dreamt such joy would last forever. In an endlessly beloved World, they came of age, keeping to their optimistic dreams.Fate, or at least Luxu's Master, had different plans. The world was to end, he preached, torn apart by war, Darkness flooding in to claim all within its path. Many would fall. Few would survive to begin again. And the Apprentices, now Masters themselves, would work to whatever end. In the ensuing nightmare, Luxu was given the most important task fo them all, to stand and witness the world unmade and remade, to stand by and shape history by the needs of greater powers. True to her friend, the now adolescent Hel followed him out of the narrative, into whatever awaited them. For a year, it seemed the calamity would be endured with grace.But the end came, in all its fury. Because of her love for the world that raised her and the terrible schism that the war threatened, she begged to be locked away by her oldest friend, to keep from seeing her second home ripped apart. She told him to lock her realm away, and then keep walking, forgetting her and even her name. Forgotten by history, abandoned to a bleak realm, Hel has endured the centuries in perfect seclusion, sure that her other half must have gone on to better without her.He promised to set her free, however, and makes good on it as the curtains begin to fall on his eons of scheming. Luxu informs his pawn of Hel’s existence craftily, then sits back and watches as Xehanort's Heartless is sent to retrieve her. True to form, however, things did not work out exactly according to Luxu’s plans. Ansem instead sought to corrupt the queen and make her a thrall, though she soon began to turn the tables on him.Eventually, she does leave her realm to pay courtesy to Xehanort, to discuss possible alliances. This is all a smokescreen for her real intentions – to find her old friend and aid him in his journey. To this end, she plays neutral in the ongoing conflict on Luxu’s suggestion, though never truly cuts off the scapegoat or his Organization. Instead, unseen, she is following whatever Luxu asks of her, playing old games in a modern era.

MCU.

CANON DIVERGENT. HIGHLY SELECTIVE. PLOTTING NECESSARY.

ONCE AGAIN, MY HEL IS COMPLETELY SEPARATE FROM THE HELA AS PORTRAYED BY CATE BLANCHETT. THE MCU INTERPRETATION OF HEL IS COMPLETELY INCOMPATABLE WITH MY MUSE. THIS VERSE HEAVILY DISREGARDS MUCH OF POST-THE DARK WORLD CANON OF THE THOR FRANCHISE UNLESS SERIOUS PLOTTING HAS BEEN PUT IN TO WORK MY CHARACTER INTO SUITABLY TWEAKED NARRATIVES.The long-reigning queen of Hel has never faced much trouble for being Loki's daughter. Her life might have been defined by that blood once, but has long since established herself as her own woman. In fact, she has hardly regarded what it means to be Loki's daughter beyond letters and the odd visit for some time -- until a fresh influx of Guests. A rumble moved through the nervous throng, murmurs of invasion, and above all Hel heard a single name ascribed to these deaths: Loki. Unable to comprehend what would drive her father, lacking in some reservations but surely not a monster, to such acts, Hel found herself searching for answers, especially within the Realm her father so ardently sought to destroy.Following the alleged death of her father, Hel finds herself drifting, knowing now that she will never hear his explanations or understand what his true motivations were in attacking Midgard. Mourning her father in the most solemn, sincere ways, she does not question that Loki did not descend to her realm at the moment of death -- For all Loki was, she knew there would always be more than one side to him. Wickedness could never fill him from tip to toe, and so he would never be so abse as to arrive in her hall. No, such an afterlife was reserved for the likes of Kurse and his master Malekith, who Hel calls Guests in a tone akin to Prisoners.Now almost feverish in her drive to uncover Loki's goals in attacking Midgard, and what events drove him to such a thing, Hel often spends more time traveling the Realms, forsaking Helheim for longer and longer stretches in pursuit of the truth. Even the repeated invitations of her grandfather, Odin, will not see her lured back from Midgard. While this is obviously a temporary fancy, it does present a worrying idea: That Hel was always devoted to her father, perhaps more than the Aesir ever imagined. If she was willing to step away from her beloved realm, what else was she willing to do for Loki?Of late, she has been keen to seek out and question those who had brushes with her father during the attack on New York, and from there, retrace his steps. This is a journey that might yet take her to the stars, and into the clutches of the one who turned the prince into a puppet.

THE MECHANISMS.

CANON SPECULATIVE. POST-THE BIFROST INCIDENT. BY REQUEST.

Information TBA.

MODERN.

HUMAN AU. NON-SUPERNATURAL SETTING. OPEN TO INTERACTIONS.

Everyone knows her family -- The political dynasty that breeds men like Odin Borsson and his own sons, who take the brightest wives and embrace the smartest staff. The whole family gleams like jewels, a delight to the press and the people alike. How blessed Hel must have been, being born into such a place, the only daughter of the smooth-talking Loki Laufeyson, adoptive brother to the patriarch himself. She might have had a wine and roses life, if not for the flaw of her face.She's never a front row girl, not like Freyja's girls, not like Thrud. No, no one wants to see a girl with a face like rot, whose genetics backfired spectacularly somewhere in the womb. Brings down morale, though Odin might trot her out for specific causes -- Their dynasty so supports research into birth defects, like those afflicting pitiful little Hel. She is a pawn like that, ignored otherwise by the family at large, but cossetted by her father and her brother Jormungandr. She's a normal kid, still has feuds with her oldest brother Fenrir. Even if she's a quiet, wilting little wallflower, she's still a child.You're looking at it wrong, it's not her face that really sets her apart. Look closer -- her mind is a springtrap, a mechanical thing of beauty, trapping any idea that steps into the center and dissecting it with ease. She's knife-sharp, like her own father, even if she lacks that iron spine that makes her mother such a force of nature. The girl devours books as she grows, languishes to new heights in classrooms and hotels as needed, speaking rarely but seeing everything.More than anything, she sees her father disrespected time and time again, supported only by his second wife as best Hel can see. Such observation makes her dangerous, especially when Loki ends up taking the fall for the family at large. Loki Laufeyson, disgraced in the press. It's the first thing she reads before setting out for university -- full ride, Ivy League, self-motivated, refusing to ride on the backs of her family like all the others before her. Now in her twenties, Hel waits like a viper, curled in on herself in preparation to make her move, to stage her coup, to play Elektra to her father's damnation.

THE MAGNUS ARCHIVES.

CANON COMPLIANT-ISH. AVATAR OF THE END HEL. OPEN TO INTERACTIONS.

The Beholding has always had its adherent,s ever since the day of the infamous Jonah Magnus. Some looked to him as a madman, some as a simple historical kook. Rarely, men looked to Magnus as a visionary. It is unfortunate, then, that our heroine's grandfather was one such rarity.Leah was born the only daughter of a happy family in stockholm, the youngest of three and her father's darling. Her early childhood was unremarkable in its joy, and all but forgotten by the woman she became. No, her life could be said to truly begin with the murder of her mother and her father fleeing the scene as the suspect. In the days after, Leah was separated from her older brothers and placed into the keeping of her grandparents, Odin and Frida -- grandparents she did not even know she had. She would realize all too soon the reasoning behind her father's refusal to speak of his own family and childhood.For decades, Odin had longed for a proper acolyte of the Beholding, a 'Martyr' as he dubbed this ideal. With the custody of an impressionable young child, it seemed the opportunity had fallen into his lap. For the next fifteen years, Leah's life became a cycle of observation and travel to far-off lands, groomed by her grandfather and his obsessive veneration of the Eye. Statements from the era speak of a one-eyed old man and a dark-haired girl at the scene of many an unfortunate brush with the agents of entities, though these brushes often proved fatal. Sometimes, the girl growing into adolescence would even approach those marked by an entity, trying to fight against the inaction her guardian sought to cultivate within her.By the time she hit twenty, Leah was a bright young wreck. Having had physical, often violent brushes with at the avatars or servants of at least five Entities, she was desperate for a way out while playing a pious role in hopes she would gain answers for her bizarre upbringing. Now, at least, her grandfather trusted her to meet with his worldwide associates, including the owner of a peculiar bookshop in England. Scary Mary, as Leah would come to call her in private, was a truly terrifying woman to be avoided. Even so, not all of London was bad. Her clothes had darkened, wardrobe embracing the dour Victorian aesthetics followed by Odin's dearly beloved Magnus, and that drew the interest of Scary Mary's young son, Gerard.The pair's trauma seemed to complement on several fronts, bringing them to bond in spite of an age difference. Both were pawns of people who were meant to love and protect them, people who were slaves to their own obsessions to the detriment of the youth in their care. Recognizing this, the two forged a friendship, with Leah taking on a protective, mentoring role over the boy, who endured it with something like open arms. Beyond this, the pair's affinity began to stir something in Leah, something that reminded her she could connect with others, that her interference in the lives of others need not be an omen of death. There was more to this world than her bloodline. She only needed to be strong enough to bite the hand that fed her.The opportunity came a few short years later, when Leah, no longer pious but tempestuous and eager for escape, dared to attack Odin's favored son. Whatever she did to her uncle was... Strange. Some might say fearful. It became evident in that moment that whatever had seized the young woman, it was not the Eye. To that end, Odin cast the threat out of his house, abandoning his granddaughter to an isolated island property. The intention, privately, was for her to die unknown and unseen, paraded as a missing person's case around North Zealand. When the Entities that had marked her in youth came to claim their pound of flesh, it seemed Leah would live up to her grandfather's expectations one final time.
She does not speak of what happened in that cabin, of what reached out and took her into its embrace. The man in black, with his dark hat and withered face, is easily attributed as a dying ind trying to fill in the space where the End was felt rather than seen.
What she remembers most keenly is the boat that took her back to the mainland, the way she hitchhiked to the family estate, how aged her uncle was in the months since her 'disappearance.' Like a good follower of the Eye, she demanded her knowledge -- too far, in fact. Alone with the old man, she pushed him over the edge and watched the light fade from his eyes. The family was in for a shock on their return. And Leah?
She did what she has always done: Sought answers and knowledge. In the years since her attack on Odin, she has traveled the globe seeking answers and her own kind, begging for a meaning to her human suffering. She does not know what she was meant to be, what she was made to be. This quest has brought her to the Institute's attention at least twice, and she in turn infiltrated the building at some point in the past. That diversion ended when she faced something in the Institute that shook her to her core, and in the years since she has done all she can to avoid the place. Unfortunately, leads have begun to run dry, and even her allies are of little help.
All that remains is to put herself on the radar of the Entity she killed to escape. In spite of her trepidation, she has found herself growing more and more interested in the new Archivist, who seems on a crash course with the path she was made to walk in her youth. Perhaps, in the end, she will get her answers through him -- Even if not from his ignorant mouth.

VAMPIRE.

SETTING CAN BE TAILORED TO VARIOUS MEDIA. VTM, RICE, AND WWDITS AVAILABLE. OPEN TO INTERACTIONS.

Information TBA.

THE WITCHER.

GAME CANON COMPLIANT, WITH ALLOWANCES FOR BOTH BOOKS AND SHOW. HEDGE WITCH HEL. BY REQUEST.

There is a Witch in the wilds, and she calls herself Hel. It is a strange enough name, without thought of the noble Loki Laufeyson's long missing child. Everyone knows the tale, though, how Loki's own blood-brother and patron Odin saw Loki's sons imprisoned and his only daughter left exposed to the elements -- an ugly child, but a gentle enough creature, one Odin feared might one day avenge the capture of her brothers and her father's fall from grace. This fair-faced woman lacks the alleged rot that marked Hel Lokadotter a monster, even if her mannerisms and soft voice speak to better breeding than your average hedge-witch.You will not hear the part where, wandering and half-dead, a girl's rage summoned something rotten to her side. A simple trader, a man of mirrors, taking the half-frozen child 'neath his cloak and urging her back from the liminal space between the living and the dead. When her voice returned, it was all anger, all hatred, the kind a creature such as her savior might dine on. All she wanted was power, something to make Odin ache as she ached, to make him feel what her father must have seeing his children chained and cast out like animals.She would have given anything to make it so. She was in the best company to see it done. One deal, one mark later, and Odin's pain was ensured. Such a toll it took on the girl, setting her humming with a power few could match. She had wanted power, and she was given an abundance, loud and strong enough to drive her half-mad. Hel thought that the end of her dealings with the man to whom she owed her life, but such deals are never so easy, no matter where she found herself in the months and years later. She was only just flowered when word reached her of brother slaying brother, how Odin's son Hodr had been led into killing his own twin Baldr. It was not long after the blind Hodr was executed, and Hel knew that Odin's pain now mirrored that which he inflicted on Loki.It is folly to flee O'Dimm, but Hel hardly spends her days waiting for her fate. She does what she can with her time, prepared for her old friend to come to claim what he considers his, but traveling to do what she can with whatever life she might have. Of late, her impressive magical capabilities have caught the eye of the Empire, though time will tell if Hel appears for its betterment or detriment.